In October of 2011 I was at a crossroads. I felt strongly compelled to not
audition for theatre companies and it was a difficult pill to swallow. My children were getting older and it
seemed my time had arrived to do something I had long wanted to do, only to
feel that it was not what God
wanted for me. I cried bitter
tears after I had to turn down a role I really wanted and skip auditions for
shows that I was certain I would be a strong contender for. This may be hard for most people to
understand but I deeply mourned a loss in what I deemed was part of my
identity. It was far more
difficult than I can perhaps express.
So while I mourned, experience has taught me that God always
blesses us when we turn our will over to him so I tried earnestly to discern
what God wanted for me instead. I
had already explored the door of having more children and that door was
painfully shut. I thought
perhaps it was for me to do more writing and composing so I worked on some
scripts and tried to write songs, most of which were not as good as I thought
they should be and left me feeling inadequate.
On one October night, I struggled in vain to write and thus
decided to listen to a broadcast on creativity on the Mormon Channel. It featured composer Rob Gardner and he
discussed his creative process for composing. I liked his approach and found several ideas to help me in
my efforts. But….then they played
a recording of “Gloria.” It was
perhaps the most beautiful song I had ever heard and I began to weep. It struck me to the core. I kept rewinding and playing that song
over and over and continued to weep.
I was struck not only by the beauty but by the immense joy and hope we
find in our Savior.
I sent Karen Hemming from the Mutli-stake Cultural Arts
Committee from our church an email suggesting that they consider programming
this oratorio on their next season.
I was sure to say that if they did this oratorio that I wanted dibs on
that solo. A few weeks later I
received a Facebook message from Karen, right as I was going to bed, saying
that they had gotten permission to do “Lamb of God” that spring. I was thrilled….until I read the next
line. They wanted me to conduct it. I was so completely overwhelmed and it
took me an additional five hours to settle down enough to let sheer exhaustion
compel me to sleep. I had never
conducted an orchestra and I was completely overwhelmed by the prospect of doing
justice to this epic piece.
As if being overwhelmed weren’t enough, I was in a car
accident just ten days before our first rehearsal. I sustained a concussion and began a prolonged period
of migraine headaches and constant nausea and dizziness. As the severity of my injury became
more apparent, I was strongly tempted to pass the reins to someone more
qualified and not impaired. I had
a hard time seeing how I could possibly conduct but week after week miracles
were seen. I would have a plan in
place for someone to take over but within minutes of beginning rehearsal, my
vision would stabilize, the nausea would abate and my mind was clear. We had powerful experiences together as
the music literally healed me. The
symptoms would return immediately upon the rehearsal ending but I was amazed by
the tender mercy of temporary healing that allowed me to momentarily feel
whole.
I was not the only one to experience this remarkable healing
process. It seemed everyone in the
choir that year was suffering a great heartache, a daunting trial, a spouse at
death’s door, complete ruin or some other personal valley. As we learned this music, it healed us
and helped us to know that God was keenly aware of our difficulties and
completely in control. We learned
of his deep and abiding love for us. God didn’t heal my concussion for an additional nine
months but he did teach me to trust in him and that he would meet every single
need. That first year was completely transformative for me as the Spirit
repeatedly bore witness of the Savior and taught us to trust Him.
We had similar experiences in our second year and I wondered
how we could possibly improve.
That clarity was given and we have continued to have life-altering
spiritual experiences as we have prepared this music and let its testimony be
united with our own.
As I began this season, I had the distinct impression that I
would not be returning to conduct for a fourth year. Much like October of 2011, I feel torn by what I perceive is
God’s will for me. I have cried
many tears this week about it. It
seems that surely there could not be anything more rewarding than this work
that I am engaged in. I know that
I have had a profound impact as we worked to bring out the beauty and truth in
this work and I shudder to think that I might not have been available to
conduct this if I had disregarded those impressions and pursued other
performing experiences instead. It
has been one of the most rewarding musical experiences of my life thus far.
But at the same time, I have felt the changes in the wind
and know there are other things ahead.
Some of those changes are wonderful and terrifying at the same time and
I suspect there are things that need my attention that I simply cannot
anticipate. But if conducting
“Lamb of God” has taught me one thing, it is that He is in charge and that all
will be well if we just trust in Him.
The person I am today is a much better person than I was
three years ago. The music by Rob
Gardner has been a big part of that transformation. But it has only been the tool used by my Savior to mold me
into the person He needs me to be.
As we sing tonight, my hope and prayer is that we are likewise a tool to
help others feel what God needs them to be.
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